Showing posts with label Week 15. Show all posts
Showing posts with label Week 15. Show all posts

Saturday, November 30, 2019

Week 15 Lab: Advice to Writers site

For my last story lab (and last assignment for this class!), I looked around Jon Winokur's Advice to Writers website! This site was very interesting and full of great tips and ideas.


My favorite thing I saw was a piece of advice from just a few days ago, on November 24th. A contributor named Stephen Sondheim had this to say:


"The last collaborator is your audience…when the audience comes in, it changes the temperature of what you’ve written. Things that seem to work well — work in a sense of carry the story forward and be integral to the piece — suddenly become a little less relevant or a little less functional or a little overlong or a little overweight or a little whatever. And so you start reshaping from an audience."


This advice struck me as a unique way to view the writing process as well as helpful advice. Considering one's audience is a crucial element of effective writing. Quality writing should affect the reader in some way. The reaction of the audience becomes part of the writing experience itself after you (as a writer) pen a finished product. Sondheim's idea of a "last collaborator" jumped out at me as an especially creative way to name this phenomenon. Ultimately, the best writers learn to adjust their work to the audience. This doesn't mean writing fluff to please an audience or letting potential readers guide your core ideas or style; it does, however, involve a consideration of how you can bet communicate your ideas and employ your style in a way that helps the audience rather than blurring your intended meaning. Writing can quickly become excessive and overly complicated. The best writers learn to resist this and focus on engaging their audience.


I've enjoyed this final story lab and this class in general! This will be my last post on this blog. I've gained a lot from making it, perhaps someone else will have gained something from reading it (at least my stories).



Looney Tunes, Warner Bros. Source: Wikimedia

Reading Notes: Inferno, Part B

More reading Notes for Week 15!

Bibliography: Notes are on the Dante's Inferno unit. Story source: Dante's Divine Comedy, translated by Tony Kline (2002).

Last reading notes ever for this class! Wow! I've enjoyed doing these. I'll be focusing on powerful, strong, and beautiful sentences/chunks of writing again for Part B.

Near the middle of the second part of the unit, I came across this sentence, as Dante enters the third ring (which represents those who were violent against God): "O God's vengeance, how what was shown to my sight should be feared, by all who read!"

This sentence is a great example of engaging a reader in the action by referencing them. This exclamatory sentence alerts the reader to pay attention to this ring of hell, as it is particularly to "be feared." A sentence like this often indicates a new section of a story and can excite readers.

Another great example of a strong sentence came in canto 14, where Dante says that "We came, in silence, to the place where a little stream gushes from the wood, the redness of which still makes me shudder."

This sentence is a beautiful description of the setting. Dante describes his approach to the location before discussing the location itself. Not only is a description of the color given, but also how the color makes Dante feel. This type of sentence is a compelling piece of writing to weave into the broader action of a plot. 

Another powerful sentence appears under the subheading "Ulysses's last voyage" towards the end of the unit. The author writes that the "greater horn of the ancient flame started to shake itself, murmuring like a flame struggling in the wind."

The vivid detail included in this sentence demands a reaction from its readers. The use of "murmuring" as a a metaphorical action verb is interesting and original, as Dante paints an intense image in the minds of readers. I hope to use powerful language like this in my stories.

In my own writing, I want to master the use of symbolism and imagery like Dante. This was a great unit to end the class readings on! Hopefully I'll have the opportunity to take notes like these in other classes, focusing on my favorite parts and analyzing what made them work so well.


Gustave Doré's illustration to Inferno, Plate LXV: Canto XXXI: The titans and giants.
Originally from 1857. Source: Wikimedia


Friday, November 29, 2019

Reading Notes: Inferno, Part A

Reading Notes for Week 15!

Bibliography: Notes are on the Dante's Inferno unit. Story source: Dante's Divine Comedy, translated by Tony Kline (2002).

Last week of reading notes, hard to believe! I'm going to focus on beautiful/strong sentences again this week.

Kline's translation of the famous beginning of Inferno starts like this: "In the middle of the journey of our life, I came to myself, in a dark wood, where the direct way was lost. It is a hard thing to speak of, how wild, harsh and impenetrable that wood was, so that thinking of it recreates the fear."

The idea of life being a journey is powerful. Dante finds himself in a "dark wood" without a clear direction of where to go. This resonates with me on a metaphorical level. The descriptive words in the second sentence ("wild, harsh, and impenetrable") give readers an idea of this intense setting. This is one of the most famous introductions to a tale in European literary history, and it's easy to see why with this powerful language and gripping imagery!

Another notable sentence also appears in "Canto 1: Dante and Virgil." Dante writes, "Then the fear that had settled in the lake of my heart through the night that I had spent so miserably became a little calmer."

Again, the imagery here is beautiful. This description of how fear feels to Dante is both relatable and captivating. This sentence helps readers sympathize with the protagonist even before he begins his journey through hell.

One additional standout sentence occurred in "Canto 3: The Gate of Hell," where Dante is now with his guide, Virgil: "And placing his hand on mine, with a calm expression that comforted me, he led me towards the hidden things."

Dante is understandably afraid of this hell, and Virgil proves to be a reassuring presence. Inferno is full of moving sentences that I hope to emulate in my own fiction! I have really enjoyed this week's readingsso far and am excited for part B.


Gustave Doré's illustration to Dante's Inferno. Plate VIII: Canto III.
Originally from 1857. Source: Wikimedia